Product Description
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Audio, Video, Disco is the second album from Xavier de Rosnay
and pard Augé; the influential Parisian duo known as Justice.
It was created in the duo’s home studio, with all instrumentation
performed by the group themselves. Seeking to create an album
that would evoke the feel of progressive rock, the duo labored
meticulously to learn instruments they had not previously
conquered to craft an epic masterpiece that exchanges the “night
in the city” setting of their debut with an “afternoon in the
country” atmosphere. Another notable development is the
occasional presence of guest vocalists, including a spot by
Morgan Phalen of NY rockers Diamond Nights on “On’n’On” and “New
Lands”, Vincenzi Vendetta of Australian band Midnight Juggernauts
on "Ohio", and UK pop singer Ali Love on the album’s first single
“Civilization”.
Review
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Parisians pard Augé and Xavier de Rosnay - aka Justice -
first came to attention half a dozen years ago with their
mashed-up noisy remixes for the likes of Franz Ferdinand and
their re-do of Simian's We Are Your Friends. Since then, the duo
released 2007's seminal debut †, and toured the globe with a
giant cross, laying waste to every dancefloor they came close to.
Now, they're backBackBACK with the follow-up - and it seems
they've been dosing up on the hard rock of yore.
While the duo did much with noise and distortion on their debut,
Audio, Video, Disco leaps into a more hair-friendly area. Led
Zeppelin are mentioned within the first sentence of the press
release, and there's a general air of double-necked guitars,
dwarves dancing around monuments and fast livin' with seafood
excess - shenanigans inspired by the likes of the aforementioned
Zep, as well as The Who and Blue Öyster Cult. Daft Punk touched
upon this ground lightly with their Discovery set, which brought
in various AOR types in from the cold. However, this is an
all-balls-out affair, and a determined bid for stadium disco
mental-ness.
Thrillingly, it works. Horsepower sounds like some beefed-up BBC
science fiction theme of yore - possibly Hitchhiker's Guide or
Blake's 7 - with proggy, real musician-y fills and dramatic
power-chording setting out the stall for what follows.
Civilisation stars Ali Love, delivering lyrics about war and
devastation - it's fairly evident that this album has less to do
with their fellow disco-countryman David Guetta, and more in
common with Big Themes.
Canon, prefaced by the twiddly folky-prog noodle of Canon
Interlude, strafes Daft Punk-y vocoderisms with spandex-friendly
chords and thrusts. On'n'On demands a Robert -style lyric
about loose women, and there's even lyrics about grapes turning
into wine and what sounds like a flute solo. Brianvision features
some fine finger plucking - it's a bit like Iron Maiden minus the
issues, and seemingly designed to be enjoyed on a road trip
across the desert. Helix works similar magic, but tames some of
the excessive rock leanings heard elsewhere. Some of the
exuberant joy of their debut has been swept aside, yes, but this
set is not going to alienate anyone who's onboard already.
It's certainly a step on from the Justice sound of before, and
also very, very good. With Audio, Video, Disco, the duo has
created their own realm and progressed into a formidable force.
However, if the next album goes down the full hair-metal route,
then we may need to stage an intervention.
--Ian Wade
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